Feeds:
Posts
Comments
IMG_4893

An array of single width ikat cloths

Sumba is one of a chain of islands spreading out east of Bali and it has been beckoning me for years. Why? Well, it’s textiles of course. Beautiful, colourful warp ikat blankets with big bold patterns. Finally we’ve stopped putting it off for lack of time or money and got our arses over here. Very few tourists seem to make it and those that do, come for other reasons. The suntanned youth come for the surf beaches, the more well-heeled (usually middle aged couples with a guide and driver) come for the traditional villages or the wildlife. Jim and I are a weird hybrid – middle aged with backpacks.

We land at Waingapu with its small, old fashioned airport just a couple of miles out of town and head in along dusty streets lined with little shops and past a crowd of people peering over a wall. It’s a monthly horse racing event. The Sumbanese love horses and in the early evening we see one of the horses draped in an ikat cloth being led home. It’s my first sighting of ikat. So, the horses wear it but the women don’t. In Sumba, it seems, ikat textiles are preserved for ceremonial use only and everyday wear is just like anywhere else in Indonesia: shorts, jeans, tee-shirts and maybe a printed batik sarong. A few old ladies wear dark hand-loomed sarongs but that’s it.

To find women making ikat you probably need to visit some tribal villages, right? So that’s our first mission. The villages’ swooping tall thatched roofs are sometimes up on a hill but, disconcertingly they can be right in the middle of town too.

You climb up the cobbled street, past the massive concrete or stone tombs as big as megalithic dolmen, try to avoid the ferociously barking dogs and sign the ubiquitous visitors’ book. Give a donation. Feel a bit voyeuristic and slightly awkward as you peer at people’s houses, try to walk round the pesky still-barking dogs, grubby little kids, big black pigs, and rubbish dumps. Until the 21st century, chucking your rubbish on the ground made not much difference; it either decomposed or you could burn it. Now most of the rubbish is plastic; plastic bottles and bags and packaging, and that doesn’t go away and can’t be burned (although many people try) It just stays and chokes up the gullies and the barefooted kids play in it.

IMG_4855.JPG

A traditional village in East Sumba with its’ grave stones

I have no idea how it must feel to live in these homes, but to me they seem dark, hot, dirty, enclosed and the graves overpower everything. Basically, its poor and shit and I don’t blame young people for wanting out. So I’m not too impressed with traditional villages even though they are really impressive, if that makes any sense?

Still enough moaning, we’re here to find ikat. There are women weaving on back strap looms but the cloths they show us are either hugely expensive or not very attractive. But I have developed excellent skills in sniffing out textiles (searching the sparse clues in the guide book for a start!) and it’s not very long before we’ve found a little shop full of gorgeous ikat textiles. We start off chatting to the owner in Indonesian but when he finds out we’re British, he switches to near perfect English to tell us that he’s been to Art in Action in Oxfordshire twice to sell his ikat (along with a weaver to demonstrate). Before you know it, we’re onto shameless name dropping. Oh yes, he knows John Gillow, and Jenny Balfour Paul came here to research indigo and guess what! in a couple of days here’s off to Timor to meet the Richardsons. Can you believe it? Luckily we can hold our own in the name dropping department as we know all these textile superstars very well.

Freddy knows an awful lot about the warp ikat of East Sumba and I therefore grab the opportunity to ask as many questions as I can. I have ten days here and I need to know where to start looking. He tells us there’s no point going anywhere else but East Sumba (that’s not quite true, there’s some good ikat in West Sumba too) and there’re only a couple of places where natural dyes are still being used to dye the yarn. As an example, the mud dyed yarn which is being woven in his back room is now only made by one old lady. He is worried that fewer and fewer people have the skills to continue to make really high quality textiles.

So here are a few of the interesting things I began to understand about warp ikat…

It’s all about teamwork

It’s not really appropriate to ask who made a particular textile. In fact the weaver is just one of a team and hers is not even the most important of the skills. Probably each cloth has had input from 10 to 12 people. It starts with drawing the pattern, you need someone with a good sense of style and design, hen there are the people who tie the design – usually a team of them. Then there’s the natural dyeing. Good plants have to be grown and processed to make the dyestuff strong and light-fast. The dyeing is fairly complicated and it takes a long time. Then there’s removing the ties, setting up the loom, locking down the pattern (very important when you’re doing figurative work) and finally there’s the weaving. So, up to a dozen different people, sometimes specialists in their bit, often members of a family all helping, and several months, even a year, go into making a cloth.

IMG_4889.JPG

Tying the warp yarns with plastic string – teamwork in action

Manspreading

A generation ago this was all women’s work because the cloths were used more or less exclusively for ceremonial exchanges. In a way they were an indicator of the family’s wealth because they showed how many hours the women of the family could be spared from the work of farming. These days, ikat has become more of a commercial proposition and a way of making money, so men have got involved in tying, dyeing and even weaving.  Nowadays, Freddy reckons, probably more than half of an ikat is made by men.

What dyes are used?

The main colours used in Sumba are

  • Blue – which comes from indigo leaves (indigofera tinctoria), used with powdered lime obtained from baked white coral. Indigo dye can be made from the fresh leaves or preserved as a paste which is reactivated with water strained through wood ash.
  • A deep, rich red from the roots and root bark of morinda (morinda cirtifolia) known in Sumba as kombu with a very important addition of loba leaves (symplocus fasciculata) to add brightness to the colour. Morinda root is peeled and pounded and squeezed in water to make small balls. These are best used within a few days to retain their potency. Freddy is himself a morinda dye specialist and supplier. And that’s a cue to tell us about his latest venture, an upmarket little boutique hotel in the hills outside Waingapu, appropriately it’s called “Morinda”.
  • Yellow comes from peeled and pounded turmeric rhizome (which looks like ginger) and kayu kuning heartwood (maclura cochinchinensis) All dyes benefit from a pre-mordant of either grated coconut or candlenut.

To get a really good depth of colour the yarns are dyed and re-dyed many times and thoroughly dried in between.

IMG_4890.JPG

Warps yarns at various stages of the dyeing process

What’s it all for?

So if it’s not to wear, why do they put all this time, skill and effort into making fine ikat? In Sumba ikat is made to give, to exchange and to cement relationships between families. The cloths are essential at births, marriages and funerals and at communal ceremonies.

For example, at a marriage settlement, the groom’s family offer metal (particularly gold) and livestock and the bride’s family offer textiles.

At a funeral, friends, family and neighbours of the deceased bring textiles and other animals to slaughter (pigs and buffalo especially) and livestock (horses and cows). Everything is noted, and I mean actually noted down in a notebook. It is someone’s job to write down the quantity and the quality of every offering given and who gave what.

So not just any old ikat cloth will do, it will be looked at and the quality and fineness of the design and weave and the dyeing all noted. Freddy says that when his mother died, the family were given 300 ikat textiles! Often the body is wrapped in dozens of cloths and buried with them. A cloth given for a funeral may have a portion of the fringe cut away, so that it can’t be sold afterwards, and you can’t pass it on like an unwanted Christmas present either!

Of course this sets up huge responsibilities and ties of reciprocity which seem rather irksome to me. How can you ever escape from the circle of giving and then receiving and having the obligation to give again? But then maybe that is a big part of what makes a cohesive traditional culture what it is?

IMG_4862.JPG

Weaving a typical ikat

I remember reading about this in “Indonesia Etc” by Elizabeth Pisani which begins with her visits to Sumba. The ties of ikat are both physically and metaphorically binding!

There are “kings” and there are “slaves”!

Sumba has a pretty rigid class system – the upper classes (or rajas), the middle class and the slaves or servant class. Some of the traditional villages are for families of so called Rajas or kings. We visited one of these villages called Rende where we sat on the porch of a huge dark wooden house and drank coffee with two kind and smiling red toothed ladies. We were gently harangued by a rather unattractive youth “Yes we are Rajas, we are all Rajas here” he says, with his scruffy shorts and scabby legs.

Meanings and symbols

Sumba ikat blankets are chock full of symbols, and humans and so many animals: komodos (monitor lizards), flat fish, shrimps, monkeys, frogs, horses, dogs, crocodiles, elephants and lions. Then there’s the patola design or “Bunga Raja” (the King’s flower) imitating the incredibly fine and expensive double ikat patola cloths which were first traded from India and had a profound influence on Indonesian textiles. The bamboo leaf signifies a new beginning and the crayfish which symbolises life after death as it shucks off its old shell and takes a new one. The designer can choose any of these and put them together as she wishes. The less repeats there are in a design, the more expensive the cloth will be, as the tying process will take longer.

After pumping Freddy for information, it’s only fair to buy a couple of his pieces, fabulous of course, but expensive, as is to be expected! Now I’m on the hunt for more.

The next day we’ve got a motorbike and we’ve found another village – but this time it’s a lovely spread out village with normal tin roofed houses and no barking dogs. There are massive piles of yarns with their tell-tale plastic ties hanging out to dry, the local shop has stacks of loba leaf parcels, women can be glimpsed weaving behind their homes and even the church has ikat design panels on the front

The first day we came to this “ikat hotspot” Dhigo, a sleepy young chap had to be roused from his bed to open up his shop. It was a Sunday and no-one else was around. On Monday when we come back, it’s a completely different story. Mom and Pop are here and they clearly rule the roost. There are 5 brand spanking new Toyotas in the garage and their grown up children (including younger son Dhigo) with their families live in houses nearby. In the shade of a beautiful rain tree, a team of 8 young men and women (are they slave class I wonder) are using bright plastic string to tie a design. They work quickly and efficiently wrapping, tying and snipping, chatting all the while. Different coloured string helps to distinguish which bits will stay on all through the dyeing process (where the design will stay the original white) and which will need to be removed after the first indigo dyeing so that the yarns can be dyed red.

Each frame of yarns will actually make 4 lembar (sheets). Full size blankets are made of two lembars sewn together lengthways. So each tying and dyeing operation is enough to make two large or 4 narrower cloths.

Something I hadn’t appreciated until I recently did a warp ikat course in Flores, is the importance of “locking” down the design. One end of the yarns holds the pattern key to the whole design – it make be a simple zigzag pattern but it is very important. After all the dyeing processes are done (which may take several months with the warp yarns just hanging around the place getting baked in the sun) the warps will be stretched out onto the warping frame. Now this “key pattern” will be adjusted until it comes together, and then suddenly and almost miraculously the whole pattern emerges. Before the warps are transferred to the back-strap loom for weaving the pattern is “locked in” at least 4 or 5 places along the length of the warp with bamboo sticks and more plastic baler twine.

IMG_4886.JPG

Dhigo shows us just one of many (I think we bought it)

Pop invites us in to the main house to show us his hugely impressive stacks of cloths with their hugely impressive traditional designs (lots of horses, buffalo, and male and female Rajas) We are offered the most teeth-clenchingly sweet tea I’ve ever had (and that’s saying something in Indonesia) Pure diabetes in a cup. Then the betel nut comes out, and we pass on that. Pop tells us Mom loves it. Makes her giddy he says! The postman turns up to deliver a parcel and gets invited to sit down and take some. Dhigo comes over, and decides that it really is time that we tried betel. Luckily Jim is game for a go, and I manage to avoid it by filming him. Hilarity ensues!

Lots of people in Sumba chew betel, and the bright red lips, red teeth and deep orange spit stains all over the ground testify to that. The chew is a mixture of dried areca nut and betel leaf taken together with a dash of white lime powder. It makes your mouth water with a bright red liquid which you spit out and it gives a high like drinking a strong cup of coffee or smoking a fag. Both of which Jim loves. Don’t think he was too keen on the betel though.

Older women particularly seem pretty addicted to it, but in Sumba men and women old and young enjoy it. If you want to make a village lady give you an absolutely delighted smile, present her with a small bag (about 10,000 rps – 60p’s worth will do it) of “sirih pinang”

IMG_4866.JPG

Me and my new best friend (see what betel nut does for you!)

Finally it’s time to start really buying, and I end up striking the deal with Dhigo’s wife, Anna for a dozen or so cloths. They are all made in the village, all the dyes are natural plant dyes, and the designs are all beautiful. When we get them back to our room and spread them out, they look awesome. I imagine they will look even more amazing back in Shropshire!

East Sumba is dry and arid but its people and its textiles are a joy. Now we just have to sell these and we can come back again in another couple of years’ time.

Advertisements

10-4000-islands-7

Finally we’ve reached the “4,000 islands” in the far south of Laos, where the Mekong River widens out as far as the eye can see, and is dotted with hundreds if not thousands of islands. The pace of life is now so slow it seems to grind to a halt. The default position here is horizontal – hammocks hang around every house and restaurant, every guesthouse room has at least one – woven from bamboo or tatty string or cloth and even special swinging baskets for the babies (of which there are many).

Almost every restaurant  here has a large platform with mattresses and pillows and low tables. There’s one at our guesthouse. Crawling out of bed and making it the few dozen yards to the table means that as long as you can attract the attention of someone to bring food and drink, you are tempted not to move again for the rest of the day.

There’s a group of French folk staying at our guesthouse who’ve hardly moved in the three days we’ve been here. There are 5 of them but they’ve only taken one room where they can keep all their stuff and take a shower now and again – otherwise they sleep on the seat-beds or in a hammock, roll up their sleeping bags in the morning and order brekkies. We’ve christened them “les pommes de terre couchantes”.

The Lao people here in the south lead a pleasant and almost self sufficient life which seems pretty good. Every family has a boat so they can fish or take the tourists out to a water-fall or to see the very precious Irrawaddy dolphins, or to the mainland for a bus or an ATM. Chickens, ducks and pigs are free, the dogs are friendly and so are the kids.With no cars around, they dash about on bikes, splash in the river or poke at trees with long sticks. The tourists bring in more than enough income it would seem and entertainment is provided by sharing meals and the telly on dawn til dusk (Thai boxing and soaps mostly). Work is done in the early morning before the searing hot sun gets going and in the early evening in that short and magic time between sundown and dark.

We speculate about what they think of us and the strange lives we lead. What do they tell their kids about the foreigners who seem to have nothing to do and endless amounts of money to spend?

In southern Laos, it’s the old colonisers, the French who are most in evidence. Their great-grandfathers came here and took the teak, tin, coffee, opium and rubber out. When the Lao decided to “Take back Control of their Own Country” (something we seem to be hearing a lot about lately) they were carpet bombed and  land mined for their trouble. But even after all that, the French are still here and they’re still sitting around ordering beer, baguettes and espressos!  By the way, I don’t mean to single out the French, any colonial power would do, it’s just that in Laos it was the French and here in southern Laos they must make up about 80% of the “farangs

We started this trip, a month ago in the north of the country, where things have changed a lot since I was here 12 years ago. Yes, there are ATMs now and roads where there never were any roads and lots more people speak English, but the big change is that the north is being colonised again – this time by China.

In northern Laos it’s all about the power of China – in some cases literally – “Power China” is building dams and massive hydro-electric schemes and bringing in their own crews, machinery and finance to do so. With the permission of the Laos Government, Chinese companies are tearing down the forests and planting huge plantations of rubber, teak and banana. To get to all of this, they are building bridges and roads. This has the knock on effect of bringing tourists in from China too! It happened that we were in northern Laos over Chinese New Year and about three quarters of the cars on the road had Chinese number plates. There are even Chinese campervanners now, behaving exactly the same as their northern European counterparts travelling down to the Med, camping up in the best parking spots next to the coast/Mekong riverbank. Big three generation families and groups of friends racketing around laughing and shouting, getting drunk and enjoying hotpot barbecue banquets, all having a great time and generally behaving like rowdy old Brits on holiday on the Costa Brava.

Five things I love about Laos

  1. The rivers – the Mekong is the Big Momma of them all but there are rivers everywhere. They are great to travel on, fish in, swim in, wash in, wallow in (if you’re a buffalo) and have a beer while staring out at. The only downside is now that more roads have been built, riverboat services are quickly becoming extinct.
  2. Weaving (of course!) Lao women continue to wear hand woven sarongs and there are many villages where there’s a loom under every house, so that means lots of potential for textile based travel decisions. Brocades, very complicated patterned weaves, supplementary weft techniques, and ikat are all alive and well. One of my favourite days was spent dyeing and weaving silk at “Ock Pop Tok” in Luang Prabang. One of my new discoveries in Laos is Katu weaving. Naturally  dyed weavings with patterns of tiny beads made by Katu women.
  3. Herbal steam bath followed by a massage – one of the things which bring you into direct contact (literally) with Lao people. Sharing a very dark, very hot and very steamy wooden cupboard with a dozen or so sarong clad Lao women is kinda fun.
  4. Village life. Cycling or walking around a village especially at dusk is just fantastic. Football games are played, kids bathed, food cooked, cloth woven, chickens fed, cows and goats rounded up, nets mended, and gardens watered.
  5. BeerLaos – there’s only one kind of beer sold in Laos. but it’s pretty good and it’s only a quid for a big bottle, so no problem there. Oh, and noodle soup – the absolute lunchtime staple, which comes in a basin big enough to stick your head in and is usually accompanied by a plateful of greenery.

img-20170104-wa0001

We’re back in Jogyaarta, a town in Central Java I’ve been coming to for over 30 years, and we’ve met up with an old friend from those early years. I first met Niken when she was at Gajah Madah University studying English and we were buying batik pictures from her mum’s little shop on Gang I. When my boys were little we would sit and chat while they raced up and down the alleyways with the neighbourhood kids, and we got to know Niken and her brother Didik well over the years.
Niken was in love with an American guy studying agriculture but her Mum (who was old fashioned that way) was against them marrying. When Didik married his girlfriend Naning and their mum became ill, she relented, but by now it was too late. Niken and her lovely American boyfriend never got together again and she has never married. Didik sadly died at a young age, and after his death, Niken took on the shared parenting of his three young daughters alongside her sister in law. She is now an eminent professor of English Literature at her old University.Twenty years ago Jim and I and sons Shay and Sean were invited to Naning’s sister’s wedding at the family’s home in a village out in the rice-fields. It was the first Javanese wedding I had ever been to and it got me interested in the important role batik plays at a traditional wedding. Here are a few photos I took at that wedding.
This year, by a lucky coincidence we happen to be in town when the eldest of those three little girls is getting married.

So, now a 21st century love story. The bride is Pingkan, a Ph.D.student in Finance at Manchester University and the groom is Adhi, doing a Ph.D. in computer science at Birmingham University. They’re both are on full scholarships from the Indonesian Government. In other words, they are intelligent and diligent young people who are moving far from their roots in the rice fields and the alleyways, and becoming middle-class citizens of the world.

This family wedding couldn’t be more different from the one of 20 years ago, although some of the guests are familiar. For a start it’s taking place in a reception hall at Gajah Mada University which I’m told holds 2,000 people comfortably.

We arrive at 3.30 and are among the small circle of guests invited to the official and Muslim part of the wedding – the Nikah. The hall is huge, awesome and totally bedecked with flowers, canopies, vignettes, room sets, pavilions and food stations.

The groom comes in first followed by a procession of gift bearing relatives. The men sit one side and women the other. Adhi is taken through his responsibilities and expectations in a variety of speeches from a variety of imams. Some are heartfelt and emotional and get everyone reaching for their hankies, some are sung, some are personal, some are in Arabic, most are in Indonesian. The batik count is high – the two Mums wear the same design sarongs which I find touching(“truntum with sawat” for those who are interested) and almost all the guests are wearing traditional batik.

The bride finally arrives flanked by her two sisters and after repeating her name and address, a chap in black suit and kepi with the look of a young Soekarno does the official business, and the wedding is done!

Photos, a bite to eat, and now just a bit of hanging around while the bride and groom get changed into another set of stunning outfits for the evening reception. The band arrives and tunes up, the caterers get going big style, the organiser and her team (headsets and clipboards) get changed from day wear to evening wear, the photography team set up their lighting and take up their positions in front of the stage. Hoards of gorgeous young women dressed up to the nines in killer heels flirt and have their photos taken with gorgeous young men in sarongs, the man with the microphone tells everyone to take their places and then we’re off for the second half. Now the invited guests start pouring in and the batik being worn is a feast for the eyes. If I felt under-dressed before, I now feel doubly so!

The newly weds head up a procession of their nearest and dearest to the sound of gamelan music, and the music and the sight of them wearing traditional gold wedding cloth and velvet gold couched jackets (look at the photo at the top), and suddenly I’m moved to tears. Now this is a proper Javanese wedding!

We hundreds of guests slowly make our way up onto the stage to shake hands and congratulate the parents and the happy couple.

After that its time to sit and eat some very superior nosh (but no alcohol of course) and compare these two family weddings twenty years apart. The bride and her female relatives (apart from Niken who is Christian) all wear head coverings – twenty years ago, the women wore their hair in traditional buns with elaborate hairpins. This wedding had none of the old rituals I remember either, the groom breaking an egg with his foot and the bride washing his feet before he enters the wedding, the kowtowing to parents, the mutual sharing of ritual dishes, the exchange of batik cloth. As Niken had told me, this is a modern Muslim wedding.

This is a sign of how many things are changing in modern Java, the most obvious change being the increasing influence of conventional Islam. Back in the 1980s it was hardly noticeable that Java was Muslim, the call to prayer was muted, most women were bare headed and the prevailing guiding spirit at any life event was “Kejawin” a mix of Buddhism, Hinduism and Islam, the authentic home-grown spirit of Java.

Thirty years later, things have changed: the mosque’s loudspeakers are never far out of earshot, the wayang, the kris and the gamelan are fading in popularity and the “jilbab” scarf is worn by more than half of women and its on the increase. Jim objects strongly to the jilbab on purely aesthetic grounds if nothing else – they’re often made of beige polyester!

The other thing that’s changed is that we’ve all gone up in the world so much! We were all just little batik sellers back in the day and our kids played in the gangs, now our friend’s children go to Universities abroad, buy land and build houses and studios. We have friends who can afford to put on a wedding like this!

The other change is the number of cars on the road and as we finally make our way out into the warm Javanese night, we are faced with the pressing problem of how to get home through a gridlocked city on New Year’s Eve!
And if you’d like a look, we have some great Javanese wedding cloth on the website.

The next travel newsletter will come from Laos. Jim and I are setting off to follow the Mekhong River from the Golden Triangle where we left it on Boxing day two years ago, all the way through Laos to the poetically named 4,000 islands.

 

phrae-2016-14

To read my latest blog on indigo “mat yom” click here. HAPPY NEW YEAR!

I am in Chiang Mai in Thailand at the moment, scouring the markets for hand woven cotton, indigo, hemp and tribal textiles. I have just witten a newsletter for my website and then realised I should keep up my travel blog too but I just don’t have time for both, so if you want to continue to get travels and textiley type news, please sign up here and you will get a slightly more regualr newsletter. Thanks for following my Asia Textile Journey blog!

I’m still feeling a bit bruised and battered by the EU Referendum and its aftermath. Textile Traders would not be in business without the “free movement of people”, as I’ve been free to travel almost anywhere in the world ever since my teens when I worked as a chambermaid in France!
Like our friends and colleagues on World Textile Days we work closely with people all over the world. We trust them with our money, our stock, our kids, our security. Without these “foreigners” we would be nowhere.

WTD crop.jpg

Some of the World Textile Day crew

Anyway, to cheer myself up I got thinking about some of the people who I rely on, who have grown up with me and who I call friends. So here goes …

 

First of all Turkey – always stuck between Europe and Asia, but at the moment getting the worst of both worlds – we don’t seem to want them in Europe, and IS bomb them because they don’t like them talking to the West.  I first went there in 1981 to teach english and fell in love with the country.
After a couple of years, I came back with a few rugs to try and sell. “Just take them, send me the money later”. I hardly knew the guy, he just trusted me to do the decent thing. Very Turkish! I’ve been going back regularly ever since.
It’s time I said “Thank You” to the innumerable women weavers in umpteen villages who have allowed me to sit in their living rooms and back yards taking photos and notes, to the dozens of carpet sellers in Istanbul, Ayvacik, Antalya, Izmir, Selcuk and Anamur who have shared afternoons and hundreds of glasses of tea with us as we slowly look through piles of stock – “Don’t ask the price, just enjoy”
Special thanks to Musa, Ramazan and Nazmiye who taught us about natural dyeing and self sufficiency, to the Bozyak brothers who enthused us with the Dobag Project and to Musa and Saliha in Anamur with whom we have shared so many laughs and so many meals around the “sofra”. 

 

And then in Indonesia – I’ve been going back for 33 years now, and parts of Java have the familiarity of home. It’s always the same – I start each visit appalled by the poverty and the degradation of the environment and end up charmed by the kindness and tolerance of the people, envious of the strength of their communities and entranced by the culture.
In Indonesia, I have to thank numerous men and women making incredible batik and ikat textiles who have smiled and answered my questions or just allowed me to sit and watch. Thanks to Hani, and Nia and Agus and all the guys at the “Indonesia” and the Duta.

But especially Tono, a becak (bicycle rickshaw) driver, our first “fixer”  who packed thousands of cantings into hundreds of boxes, talked Indonesian politics with us when it was not safe to do so, found lovely ladies to take care of our boys when they were little, came with us to puppet show “all-nighters” and introduced us to dozens of knowledgeable people. And then the inestimable Susi, his replacement, who lets me hang out at her house, lends me her bike, finds cake, sorts out my Indonesian sim card, takes me round the city on the back of her motorbike and performs a hundred little kindnesses and huge favours I couldn’t do without.

And finally Northern Thailand. I spend more and more time there nowadays and even then never want to leave. So many people to thank and appreciate: the women who give massages at the temple round the corner; Mr and Mrs Beer who hire us bikes, motorbikes and cars and stay cheerful in spite of having to deal with hundreds of us dumb foreigners every week; Panee and her family the best indigo dyers in Phrae; Ray in Chiang Mai who posts stuff to me when I run out; Nui who always makes sure I get a bed no matter what time I turn up; the girls at the Post Office who look after us every year, manage to clear a space for us in their tiny office, and stay cheerful in spite of having to answer the same dumb questions to a constant stream of us foreigners every week; H’mong headman Win and his wife who have made us welcome so many times in their village in the Mae Sa valley, and never forgetting Poo and her little group of tailors who make my garments and manage, no matter what I throw at them, to get them all finished on my very last day.

Of course we’re all different – I LOVE that we’re different. I make my living by talking about, learning about and trading in the things that make us different. It’s spine tingling to hear the call to prayer at daybreak or monks chanting through the night, to come across a group of tribal women in full regalia, or witness strange and exotic ceremonies.
What’s surprising is just how similar our hopes and dreams, fears and concerns are.
I think its time we in Britain got over ourselves and started thanking our Lucky Stars!
If we believe Britain is overcrowded, try Java (145 million on an island roughly the size of Britain). If we’re worried that our culture is being taken over, spend a couple of days in Bali or the old city in Chiang Mai, or on Phuket or Koh Samui, for goodness sake. If we’re concerned about refugees, try the camps in southern Turkey or the Thai-Burmese border.
What the referendum result has shown though, is that we live in a country of great inequalities. If anything comes out of this to address that, then there may be some good come of it!

woven house small

One of Flores’s many woven houses

 

So we’ve bought plenty of ikat, we’ve got a good idea of reasonable prices and I’ve got my “eye in” for regional designs, hand spun cotton, what natural dyes are available and what have you. Now it’s time to widen the search

1. Watublapi… and a textile lover’s heaven

I’ve got the phone number of a guy called Daniel who knows about the local ikat. district. We arrange to meet at a market town called Geliting about 10 kilometres outside Maumere. It’s Sunday morning and it seems everyone’s at church, but we eventually get ourselves into a crowded bemo. We’ve no idea where to meet Daniel but as the only “Bule” in the place, we’re pretty conspicuous, and sure enough he finds us without difficulty.

Daniel is a fine looking guy wearing a hand woven indigo top and a large boar’s tusk. He shakes hands and introduces us to our ojek – motorbike taxi guys, who are taking us to Watublapi. The road goes higher and higher through scattered villages, and the air gets cooler and cooler as we drive into deep wooded hillsides of primary forest. Half an hour later we arrive and an archway tells us we are at a Cultural Centre for Traditional Dances and Ikat weaving. Daniel shows us the local cotton trees- tall! We take photos, ask questions, poke the cotton seeds, ask more questions, and at this point he realises he’s got four complete textile nerds on his hands and he’s in for a long day.  Finally we are introduced to one of the village’s best weavers and sit down for cups of Flores coffee and sweet crackers.

10. Watublapi (3) small

Daniel, a natural dyeing and Flores ikat expert with a wedding ikat.

 

Before long, the front yard is transformed into a working panorama of the ikat process for start to finish. And all for our delight! First the cotton is “ginned” on a hand turned wooden press which squeezes the large seed out of each tuft. Moving on, the cotton tufts are fluffed up using a bow with a tight wire. I’ve seen this process done in almost exactly the same way in Turkey and Kyrgyzstan (with wool) and in Laos with cotton. Next the cotton is rolled into neat little turd shaped pieces and Mama sits down at her spinning wheel. Putting the yarn between her left toes and turning the wheel handle with her right hand she spins the cotton into thread with consummate ease. She’s fast, accurate and makes it look blindingly simple. I think better of asking to have a go.

Next is the tying frame where the spun yarns are tied into patterns using palm leaf twine. Next the dyeing – indigo, mengkudu, mango peel, lobah leaves, candle nut, ground coral, ash lye, turmeric (3 different shades from one piece) We have many, many questions and we begin to realise that Daniel is no ordinary guy with a passing interest in showing us a bit of ikat and hoping we will buy some. No, he is a dedicated and enthusiastic natural dyeing expert who has conducted research and many experiments into various recipes and methods.

 

10. Watublapi (35) small

A gorgeous ikat for sale

Mama Kristina has some pieces for sale but not a lot, the reason being that a couple of months ago ONE HUNDRED AND THIRTY people from four different countries came off a cruise ship and spent over ONE HUNDRED MILLION rupiah in the village! Well… what hope have we against that?

 

Daniel invites us back to his “studio” . I’m not sure what I was expecting, but it wasn’t this textile lover’s wet dream. Several lovely women, including Daniel’s wife Nina, two students, an older weaver and a dyer float about in beautiful naturally dyed tops and sarongs. There are hanks of yarns in every natural colour you can imagine, dyestuffs are laid out, pots are boiling and bubbling, an there are bamboo poles full of beautiful ikat pieces in subtle indigo blues and mengkudu reds and browns. What can I say but O.M.G.!!

We go through to Daniel’s garden where he has around a hundred mengkudu plants ready for his weavers and neighbours to plant out, as well as indigo plants, turmeric and mango. We sit down to more Flores coffee (to add to our slight hysteria) and banana fritters and ask questions, watch dyeing, watch tying, watch weaving and take photos and then more photos. Daniel is paid by the council to teach traditional weaving and dyeing and to research and document traditional ikat motifs. (but I can’t imagine the pay is very good) However he also gets things made for fashion designers in Jakarta, and teaches foreigners, both of which pay considerably more. His enthusiasm is clear. He loves nothing more than chatting up old village ladies and finding out what they know about motifs and the old ways.

Ikat plays a huge role in ceremonies and life events where its used for offerings, exchanges, debts, and obligations. Some pieces are so precious they spend their life hidden in chests deep in the forest shrines, only to be taken out every five years, some are woven to exchange at weddings, some are buried with the dead. Daniel knows over 100 different motifs; some were brought by Indian traders centuries ago (the Patola), some have Portuguese meanings (the Palm Sunday fronds, angels, candelabra and “corazon” sacred heart) some show mythical birds, fertile chickens, the horses which carry away the spirits of the dead and Mother Earth and Father Sky. We all come away knowing far more than we did before, but realising that there is much more to learn about ikat in Flores.

2. Lewokluwok… natural dyes and tiny shells

We’ve said goodbye to Bob and Magie and headed further eastwards to find traditional eastern Flores ikat. Lewokluwok is an extremely neat and tidy village just a couple of kilometres off the “Trans-Flores Highway”, and almost at the end of Flores island. This grand sounding road is actually part narrow tarmacked road, part rutted track and part something between as it is being steadily improved as we speak. The village has lovely trees and there are some birds in them (not always so in Flores where they are often hunted by youths on motorbikes with shotguns), neatly woven and bamboo houses with tin roofs, a modern Catholic Church and St Alfonso’s Catholic Village Primary where well behaved children are quiet and busy. There are some “rumah adat” (tribal houses), but our driver is from Maumere (about 75 miles away) and is as much in the dark as us about the language and the culture here.

As soon as we let it be known that we’re interested in “tenun ikat”, women start to bring along what they’ve got. Most have a couple of sarongs. The ikat here is different to what we’ve seen before. First of all, its all made in a very heavy hand spun local cotton. Secondly its mostly all dyed in natural dyes and thirdly, some pieces have tiny cowrie shells sewn in to the weaving which makes them even MORE attractive. We know almost immediately that we are going to have to buy something here as long as we can afford it. Most of the older ladies don’t speak Indonesian so the younger ones have to translate. So when we ask How much is it?, they’re not sure at first but they make themselves understood and we’re soon bargaining with fingers. The shell decoration is important in adat pieces (traditional ceremonial wear) and they add to the cost. – Don’t you collect them from the beach? – No, we have to buy, expensive! Before we leave, I’d like a photo of all the village weavers but, as one says – If you don’t buy, you don’t get a photo! And I can’t buy something from all of them!

3. And finally, Mawa

Getting to Mawa is tricky. First of all you have to get to Larantuka at the eastern end of Flores. It stands in a gorgeous spot at the base of a volcano which rises straight out of the sea, surrounded by clear blue water with other volcanic islands in the distance. It’s like the west of Scotland only with palm trees and 32 degrees. In spite of this, Larantuka is a shit hole. Don’t ask me why, maybe its just too bloody hot. To be honest, no-one can be arsed .. to be nice, to clean up the rubbish, to rent you a room, to get you a sheet for the bed, to stock mosquito repellent or even to sell you a beer. They just want to lie down in the shade with the piles of rotting litter and fish debris and collapsing buildings. There’s a picturesque wooden cathedral which is shut, and no-one can be arsed to open it. Oh well.

There’s life down at the port though, with frequent wooden ferries to the other islands around. We join the passengers, along with a cargo of 20 or 30 motorbikes, sacks of peanuts, garlic and coffee, boxes of biscuits, Indomie instant noodles and sugary drinks, trussed chickens and a couple of goats. The 4 hour journey is broken with a stop at Adonara island known locally as Murderer’s Island where the people hunted heads. Here we’re boarded by a rampaging hoard of feral children, wild patterns razored in to their shaved heads. They bring hard boiled eggs, rice wrapped in leaves and tiny packets of peanuts to sell.

After a dreamy cruise through volcanic islands we arrive at the island of Lembata and the town of Lewoleba – an important trading port in these parts. Here we find (to our frank astonishment) an excellent new hotel, very friendly people and plentiful bottles of Beer Bintang to boot. Even better you can drink said beer while gazing out at the port and the endless entertainment of huge ferry boats unloading and loading passengers and goods. When you get fed up with that the local youth take it in turn to dive off disused boats in increasingly amusing ways, while shouting out all the english they’ve ever learnt.

Bemos out to the rest of the island are sporadic and infrequent so it has to be an ojek (motorbike taxi) to Mawa, which is about 30 kms away. It’s on a peninsula with one of the two huge volcanoes which stand on either side of the great bay of Lewoleba. We’ve heard there is a typical Lembata style of ikat here. Its a pretty village on a glorious bit of coastline – white sand, turquoise sea, little fishing boats, elaborate graves looking out to sea (Grandma and Granddad always seem to get the best spots) Our ojek driver introduces us to his Mum, Monika. Word soon gets round and the women bring out what they’ve got to sell which isn’t much to be honest. There’s one beauty – a full sarong made of intricate ikat in hand spun cotton and natural dyes. That’s definitely the one to go for, so we very politely enquire if it might be for sale? A lot of discussion from everyone ensues and there’s a general unwillingness to name a price. – Maybe its an adat piece and you don’t want to sell? – I do want to sell. – Fine, how much do you want? – Two five – Oh two and a half million. Says I thinking, that’s pretty pricey but that might just be a starting price. – No twenty five, twenty five million rupiah I’m somewhat taken aback. That’s about ten times more than I’ve ever been asked for an ikat. We make all the right noises about what a beautiful piece of work it is and retreat. – Oh well, if you don’t want it, I can sell to the tourists.

Mama Monika tells us that a boat with a whole group of textile enthusiasts on board, docked here in May and bought up almost everything.

This is the one and only ikat weaving village where we come away empty handed. But its not a wasted visit. Just down the road there’s a group of men sitting. Two old guys are wearing traditional men’s sarongs, ikat sashes and palm frond “crowns”. They look amazing and as we pass them, I ask, very tentatively, if it might be possible to take a photo. – Of course, of course. Come in. Drink Tea! Before we know it the village headman (dressed in shorts and a T shirt) invites us to pose for photos with the two dukuns (the village shamans). He tells us that they are here to bless the digging of a new well. So although they may want daft prices for their ikat in Mawa, seeing it still being used for a ceremonial purpose is definitely worth the trouble of getting here.

12. Lembata (30) small